Films about failing marriages are frequently tragic. The main cause is that two individuals who formerly had a deep affection for one another are unable to pinpoint the exact moment and location when things began to get worse. The situation cannot be fixed before you realise it. Throughout Claire Denis’s Both Sides of the Blade (previously named “Fire”), one married couple’s life is thrown off the path when a common friend re-enters their lives. The French filmmaker was deservedly awarded Best Director in Cannes for this film.
Life Of Claire Denis and Juliette Binoche
Radio reporter Sara (Juliette Binoche) and her husband Jean (Vincent Lindon) had been together for approximately ten years. Both are on trips when we first see them; they are shown cuddling and playing around affectionately before heading back to their tiny home in Paris. Initially, their family situation seems peaceful and genuine, but eventually, pointy, invisible borders start to form.
It all starts one morning when Sara briefly sees François (Grégoire Colin) around her office area. She notices that he has a new spark. But something within her forces her to fall under a trance that she can’t break. There are unmistakable hints of a passionate and raucous love story which did not go very smoothly for her.
Because he is already a former convict who has served his time in jail, Jean is having difficulty finding employment at home. Additionally, his mixed-race kid Marcus (Issa Perica), who resides with Jean’s mom Nelly (Bulle Ogier), struggles to maintain his calmness in a fiercely racist French setting.
When Jean makes the decision to assist François throughout his new venture, things begin to slowly deteriorate. His marketing firm in Paris, while Jean, the former rugby player himself with finding fresh, youthful talent. After talking about it, Sara, as well as Jean, decides that neither of them has an issue with the route their lives are heading.
Both Sides of the Blade Previous Name
However, once Sara sees François in person, little but noticeable cracks begin to form in their connection. Denis’ movie by Christine Angot’s 2018 bestseller “Un tournant de la vie shoots during a pandemic. The outbreak may have served as a setting, but the filmmaker makes absolutely sure that the lockdown is not only symbolic. It is a tale about people by their prior identities. And that’s because all it takes is a quick glance to shake up its very foundation.
Perhaps Both Sides of the Blade as well as the previous name “Fire” are appropriate for this story. It involves couple who are unable to stop the catastrophe that their connection is bringing about. The movie, a traditional melodrama with overtones of sexuality, is about tragic endings and happy new beginnings. The depth of this story depends upon how that love triangle tessellates as well as where the audience. They put themselves whenever the three people permit themselves by their inner devils. Since the fire signifies a conclusion and a fresh start.
Also Read – Jurassic World Dominion Review
Character of Jean
Both Sides of the Blade seem to go into muddy waters not among Denis’ aesthetically compelling endeavours and available on Apple iPhone. The character of Jean as a guy who purposefully distracts himself from that disaster approaching him isn’t complicated as Lindon would like us to think. Despite Lindon’s best attempts, the character’s journey is barely able to retain a portion of our attention on him. The mother, as well as the son’s storyline, constructed that you could easily cut it from the movie and this would have absolutely no impact on the main conflict.
While Denis as well as Angot’s last film “Let the Sunshine In” had a self-centred yet utterly flawed lead, Sara felt like a continuation of that character. Sara’s part of the narrative has a firmer foundation thanks to Binoche’s powerful screen appearance. An unimaginable spectrum of vulnerability, but as the movie goes on, you start to care a little less for her. This consequently, elevates the drama while also dragging it down.
About group of performers
A remarkable group of performers who have shared the screen throughout several films comes together for Both Sides of the Blade. This movie truly shines in this area. It’s worthwhile the entry ticket just to see them clash and bounce around one another. Unfortunately, as the plot develops, it gets more disorganised and crude. Both Sides of the Blade seem to be engaging, but sometimes soapy.
Ultimately, Both Sides of the Blade isn’t as incisive as it first appears to be. In addition, the plot is in a haphazard manner. With the sloppy editing portraying Sara’s confusion and making the movie as a whole erratic. When taken as a whole, it’s difficult to connect with any of those characters as well as care about Sara’s future relationships or that side plot’s resolution with Jean and his kid. Like in love, one can’t please everyone.